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China and Korea
Lid with Motif of Exorcizing Evil
In China, various imported designs were incorporated with Chinese immortals to express a unique spiritual world using ornamentation. Designs of animals fighting created intricate, entangled motifs, while designs of plants brought to life motifs of auspicious flowers and floral roundels that appear like moving clouds.

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Lid with Motif of Exorcizing Evil
China, late Eastern Zhou dynasty,
4th to 3rd century B.C.
Miho Museum
Rectangular Box with Floral Motif Rectangular Box with Floral Motif

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Rectangular Box with Floral Motif
Korea, Joseon dynasty, 18th century
Japan
Segment of Tsurayuki shu 
(Collection of Poems by Ki no Tsurayuki), 
Ishiyama Edition
Japan received cultural influence from its continental neighbors, primarily China. When looking at its motifs, one finds that the Japanese sublimated within their landscapes and flora and fauna designs influences of foreign cultures. In the diverse and lively expressions of animals and plants found in decorations are the rich sensibilities of the Japanese who experienced pleasure in living together with nature.

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Segment of Tsurayuki shu
(Collection of Poems by Ki no Tsurayuki),
Ishiyama Edition

By Fujiwara Sadanobu (1088−1156)
Japan, Heian period, 12th century
Miho Museum
Exhibited from 7/10 to 8/1
Birds and Flowers in Autumn and Winter Screens

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Birds and Flowers in Autumn and Winter Screens
Japan, Muromachi period, 16th century
Suntory Museum of Art
Exhibited from 7/10 to 8/1



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