Spring Special Exhibition
EDO KALEIDOSCOPE
Sarasa, Biidoro, Oranda
Saturday, March 15 to Sunday, June 8, 2014
As of March 15, 2014, our general admission has changed from 1,000 yen to 1,100 yen. 

Organized by MIHO MUSEUM and The Kyoto Shimbun Newspaper, Co., Ltd.
Supported by Kobe City Museum
With the cooperation of the Embassy of the Kingdom of the Netherlands, the Consulate General of the Kingdom of the Netherlands in Osaka/Kobe, Shiga Prefecture, Shiga Prefectural Board of Education, NHK Broadcasting Otsu Office, Biwako Broadcasting Co., Ltd., and FM-Kyoto Inc. AR (augmented reality) Kaza Smart app offers extra content.
Just hold up the kaleidoscope at the upper left!
Japan’s contact with the outside world during the Edo period (1603–1867) was limited by its official seclusion policy, and yet a much greater variety of goods were imported from overseas than is often imagined. Among the goods transported on the ships of the Dutch East India Company, which were the main bridges between Japan and the West in that time, were handcrafted works that captured the hearts and the tastes of Japanese. Their fascination with these imports must have been something like the delight they experienced upon peering into one of the kaleidoscopes that were brought from Europe around the same time.
   Of the diverse imports that arrived on Japan’s shores during the Edo period, this exhibit takes up craft products imported mainly by the Dutch East India Company: Indian sarasa, the cotton fabric that so fascinated people all over the world; European glass ware—called biidoro (from the Portuguese vidro) by Japanese—which would become the models for development of Japan’s own glass craft; and European ceramics, mainly the much prized Delft ware, which was called oranda. Our focus is on how these goods were enjoyed and used at the time. The imported fabric and vessels were themselves treasured but they were also incorporated into people’s lives in various ways. Sarasa was sewn onto garments and fashioned into various accessories; European works of glassware inspired Japanese artisans to study and deepen their own glassmaking craft; and Ogata Kenzan and other potters developed distinctive styles drawing hints from the imported Dutch pottery.
   This exhibition presents a rare opportunity to appreciate the fabrics and vessels of these delicate craft genres that have been preserved and treasured with great care over several centuries. We hope the works on display will not only excite curiosity but nourish greater insight into the refined crafts in which they originated and the aesthetic taste of Japanese of those days. These treasures of sarasa, biidoro, and oranda show the selectiveness of the people of the Edo period in the things they imported and the great sensitivity with which they used them for the advancement of their culture.
A Bridge to Distant Lands
Illustrated Handscroll of the Dutch Factory in Nagasaki By Kawahara Keiga
Many rare goods were introduced to Japan through the trade activities of the Dutch East Indies Company, which used Hirado and Dejima as ports of entry. The Netherlands was the only country in Europe that was allowed to trade with Japan under the policy of national isolation.
1 Illustrated Handscroll of 
 the Dutch Factory in Nagasaki
 By Kawahara Keiga (1786-1860)
Important Art Object
Nagasaki Museum of History and Culture Exhibited from April 15 to May 11



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